They say the creatures live beyond the fence. But some things rot from the inside.
After the breach, it wasnt just the perimeter that fractured. Schedules shifted, stories changed, and silence crept into the spaces where trust used to live. Hanna, once relied on to keep the camp running, begins to sense the tide turning. Not through confrontation, but through quiet omissions, unanswered calls, and inventory that never quite adds up.
She doesnt know if shes being pushed out or simply forgotten. Maybe both.
Sahriah Ingratubun grew up in a German-Indonesian family and speaks multiple languages, including German, Indonesian, Spanish, English, and Korean. This cultural fluency shapes her writing, which often interrogates power, identity, and the impact of political systems on the individual. While studying Media & Communication at Korea University, she discovered writing as a tool to bridge cultural misunderstanding and challenge repressive structures. Her work blends intimate emotional landscapes with systemic critique. In Walk Out, she crafts a quiet feminist narrative about erasure, endurance, and the soft rebellion of leaving. Through literature, she seeks to create new perspectives and build bridges across cultures.
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