This body of work constitutes a synthesis of digital fabrication and painterly practice, situating itself at the intersection of painting, sculpture, and technology. In Untitled (Mind Concepts), the artist employs translucent 3D-printed structures as vessels for injected pigment, producing suspended chromatic fields that evoke neural or cognitive architectures. Through the interplay of algorithmic precision and the organic behavior of paint, these works articulate a spatial metaphor for mental processes - perception, memory, and intuition - translated into material form. The resulting Floating Paintings propose a redefinition of pictorial space, wherein color is liberated from the surface and reimagined as an autonomous, levitating entity that destabilizes the material certainties of traditional painting.
Gianluca Pilz (b. 1994, Berlin) is a multidisciplinary artist working at the intersection of painting, sculpture, and technology. His paint-infused translucent structures articulate a dialogue between philosophical inquiry and mathematical reasoning. Trained initially as a musician and composer before studying architecture at the Technische Universität Berlin, Pilz approaches his practice through a synthesis of microscopic research, digital modeling, and 3D printing.
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