In this unique collection, science fiction and hyperrealism collide. It is a series of portraits that exist outside of time, inviting us to find what can only be seen from a standstill. As in a gallery, each portrait should be viewed in any sequence you please, though the author would never discourage you from starting at the beginning (if you can find it). A reflection on digital sentience, the locus of reality, and what qualifies as lived experience, Still Lifes compels us to decenter ourselves and step behind the eyes of another, to discover all that only they can see.
Born in 1995 on the edge of the swamps of America's Deep South, Mary Amelia Fuselier has come, many times over, a long way from home. An often unwelcome immigrant, a lowly gardener, a talentless but fervent painter, a clumsy waitress, and a recovering economist, she is no stranger to crises of identity (including but not limited to: "Am I a millennial or that other one that comes after?"). She has fallen in love with reinventing herself; it has become a way of Being. Most recently, she identifies as a verbal portraitist, armchair philosopher, and avid teller of stories. Perhaps some of those will stick. In any case, readers are lucky to have caught her at just the right moment, before she shapeshifts again.
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