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She was very elegant and shy. She covered her face with her long black hair. A sparkle of her eyes came through, but there was no glance in them. She walked into the room through the door like walking on a stage. Every step seemed to be idealized. It was like behind such a delicate face would be nothing. Nothing more than a black hole, that sucks all emotions. Every day for eight years she visited her mother at the hospital, and so probably she lost in those years all emotions. Who could know? though Hannah, the nurse. Paloma never spoke about any feelings. Everybody around her just assumed that she had felt. But nobody questioned, what kind of feeling those were.
Born on 27 May 1960 in the Brazilian city Sao Paulo, Paul Sergio Riedel uses his great-grandfather's name as his artist's name.
He successfully finished his career in the sector of IT and databases in 2010 to focus on his thenceforth growing art and literature.
He trained to become a psychotherapist according to the Non-Medical Practitioners Act between 2007 and 2011, thus deepening his knowledge of the human psyche.
His mother tongue is Portuguese, which therefore shapes his language with its broad vocabulary, just as his interest for the antique, which influences his writing style with its rich literary forms.
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