Schlagworte: Lyric poetry in a dialogue with drawings, Creativity from a dialogue between artists., An artist's response of his inner revolt, Classical and Hellenistic base merging with the artist's contemporary style, Art's expression and drama contained within a dialogue of drawing and its poem
Love & Art's Third Volume entails drawings conceived and poetry written during the year of bursting creativity, while travelling through Greece and partaking in a workshop for local and visiting artists in Athens. Artistic communication happens instantly. Even without the knowledge of Greek, most artists could take their pencils, brushes, and any drawing instruments to express their moods, feelings, and pent-up passions for their art. Returning from a visit to the sacred sites of antiquity, I felt the urge to merge my love for Classical and Hellenistic antiquity with my search to express it through a fusion with my own contemporary style, which I have been developing over the years. However, the name of a style is secondary; first and foremost, art will speak to those who will feel its expression and the drama contained within the dialogue of drawing and its related poem. the drawings in my workbook merged with poems written off the cuff, which happened immediately and inspired each other's outcomes in a continuous dialogue. In this third volume of recollections of that creative time, the artist enjoyed the flow of interactive inspiration, continuing the dialogue with his responses of an inner revolt to his varied environments, while travelling through Greece, and communicating to his fellow artists and friends through the medium of the Internet.
Born in eastern Austria, close to the Hungarian border, he witnessed as a young man the horrors of a nation's suppression, erupting in the Hungarian Revolution of 1956. He finished his education in art and architecture in Vienna, married, and sailed for the Cape of Good Hope, an adventure that followed his childhood dreams. He had drawn African animals for his art classes, but the time had arrived to see them in their natural habitat. Meeting a wide range of people and cultures, working as a draughtsman in an engineering office and as an architect for a cultural centre, he made good use of his language skills, travelling throughout Southern Africa. During a trip to Lesotho, a native artist showed him rock paintings with their stark palimpsest outlines and with typified movements of animals and humans. it made a lasting impression on him and influenced his artistic work. His vast collection of drawings and slides had been lost during a change of domicile, but further studies of the San people would reawaken his dormant longing to express himself, filling sketchbooks with drawings and notepads with poetry and prose. While revisiting the capitals of Europe, he sensed that the bond of art, borderless and free, would reach across continents into the world. During a visit to Greece, he was accepted into a circle of artists and poets, who encouraged him to continue his art, and a poetess introduced him to the works of famous Greek poets. In South Africa, he joined the writing and poetry workshops of Writers Write. It was to open the floodgates of his creativity. He decided to travel through Greece and visit its sites of antiquity, read up on Classical mythology, and enjoy first-class translations of Greek poetry and prose. He settled in 2013/14 in Klosterneuburg-Weidling. Poet Nikolaus Lenau is buried here. Franz Kafka had visited here. Their writings will always be an inspiration.
Es sind momentan noch keine Pressestimmen vorhanden.